VERSION REVIEWED: Theatrical, 2D
DIRECTED BY: Guillermo del Toro
WRITTEN BY: Guillermo del Toro & Matthew Robbins
STARRING: Mia Wasikowska, Tom Hiddleston (Thor series), Jessica Chastain (The Martian)
Reviewed by: Justin Rumenapp
Crimson Peak is the latest film from cult film director Guillermo del Toro, who has created such genre tentpoles as Pacific Rim, Hellboy and Blade II. His latest outing is an original ghost story set in the early 1900s New England. Mia Wasikowska stars as Edith Cushing, a young author and daughter of a successful construction magnate. Her life is turned upside down when mysterious man played by Tom Hiddleston lobbies her father for a investment in a clay mining operation. Hiddleston's character Sir Thomas Sharpe eventually woos Edith and takes her back to his dilapidated estate, located on a mountain of blood red clay. Edith has always been fond of writing ghost stories, much to the dismay of editors who expect love stories from female writers. Being sensitive to paranormal activities, Edith's new locale seems straight out of one of her stories. Jessica Chastain plays Sir Thomas' sister Lucille, whose motives are even more opaque than her brother's.
First and foremost, Crimson Peak is a beautiful film. It's absolutely gorgeous. Every rickety staircase and flickering candle is placed with the precision of a painter. The story, however, doesn't have the same level of quality control.
At times Crimson Peak plays as loving homage to horror films and stories of yore, particularly those released around the period in which the film is set. More often than not though, the film delves into bad self-parody. Some of the dialog and “jump scares” are embarrassingly amateur during the first two acts, and the pacing feels off. All the high-tech computer generated ghosts in the world can’t hide bad filmmaking. Other times, the filmmakers don't seem to trust the audience. It’s never less than obvious that the wax cylinders in the spooky closet will become important. Ditto a straight razor, a steamer trunk and more. It’s as if director Guiremo del Toro has taken so many studio notes that he instinctively telegraphs every plot point. It makes sense his mega-budget robots vs. monster film Pacific Rim would be plotted by committee, but it doesn't quite make as much sense for his smaller “personal film.”
It's clear del Toro loves literary and movie monsters. He never quite seems in control of the material in Crimson Peak though, as it careens from love story, to ghost story to Victorian soap opera. Then… the final act rolls in, and is filled with pulpy plot twists and a few intense set pieces that finally deliver on the promises set up in the film's premise. A main character’s broken leg mysteriously heals during this act, though in a movie full of ghosts and blood soaked clay, that perhaps is nitpicking.
The level of enjoyment one will get out of the film will likely be proportional to his or her appreciation for classic horror and science fiction stories. Likewise, those who appreciate del Toro's films to date will likely get a kick out of this one. As standalone though, Crimson Peak doesn't quite hold up on it's own merits despite beautiful cinematography.